by Jenni Sorkin on October 31, 2011
Chrysalis: A Magazine of Women’s Culture (1977-1980) was a short-lived but influential feminist publication that was collectively produced by artists and writers active in the Los Angeles feminist movement. Chrysalis’ complete integration of art, literature, and cultural studies was distinct from other journals of the era, in particular, Heresies, which began the same year in New York.
by Audrey Chan on September 28, 2011
In 1973, artist Lloyd Hamrol and a group of students constructed Woven Cone, a teepee shaped rope sculpture, on a rise overlooking the rear parking area of the CalArts campus in Valencia, CA. The piece stood there as an iconic presence until this past summer, when it was dismantled following the discovery of a severe termite infestation. Hamrol came to the campus to remember his experiences...
by Brody Condon on September 08, 2011
Omni was around the house in the 80’s. The magazine header was often obscured by coke paraphernalia or the odd Soldier of Fortune of Magazine picked up at the regional mini-mart; the only place to buy beer within 30 miles there in the Midwestern countryside.
by Bruce Hainley on August 25, 2011
I’ve spent much of the summer thinking about AIDS and what I assume is called 'the politics of barebacking'. I know. Super fun-tastic. The photographs of Peter James solarize the sweet antithesis of all of that, although, if I were to put his work through the theoretical paces it deserves, I’d point out that he captures the male body in the sunset of its innocence, re: AIDS, when, in a desperate attempt to escape a virus, men, as depicted in popular culture (i.e., on the level of the imaginary), put all their attention into girding themselves with gym regimes and juicing on steroids for grander, quicker results.
by Jennifer Bolande on June 30, 2011
The first time I saw Jack, he was standing on a ladder putting some white paint on a wall at Artists Space. He had recently arrived in NY from LA, where he’d already been working as an artist and teaching for a number of years. I was 19 years old, still in art college, and working part time at Artists Space. I had come to New York to study dance and performance art.